ramon p santos discuss their life and works
1. ramon p santos discuss their life and works
Answer:
Ramon Pagayon Santos, composer, conductor and musicologist, is currently the country’s foremost exponent of contemporary Filipino music. A prime figure in the second generation of Filipino composers in the modern idiom, Santos has contributed greatly to the quest for new directions in music, taking as basis non-Western traditions in the Philippines and Southeast Asia.
He graduated in 1965 from the UP College of Music with a Teacher’s Diploma and a Bachelor of Music degree in both Composition and Conducting. Higher studies in the United States under a Fulbright Scholarship at Indiana University (for a Master’s degree, 1968) and at the State University of New York at Buffalo (for a Doctorate, 1972) exposed him to the world of contemporary and avant-garde musical idioms: the rigorous processes of serialism, electronic and contemporary music, indeterminacy, and new vocal and improvisational techniques. He received further training in New Music in Darmstadt, Germany and in Utrecht, the Netherlands. His initial interest in Mahler and Debussy while still a student at UP waned as his compositional style shifted to Neo Classicism and finally to a distinct merging of the varied influences that he had assimilated abroad.
His return to the Philippines marked a new path in his style. After immersing himself in indigenous Philippine and Asian (Javanese music and dance, Chinese nan kuan music), he became more interested in open-ended structures of time and space, function as a compositional concept, environmental works, non-conventional instruments, the dialectics of control and non-control, and the incorporation of natural forces in the execution of sound-creating tasks. All these would lead to the forging of a new alternative musical language founded on a profound understanding and a thriving and sensitive awareness of Asian music aesthetics and culture.
2. Can you discuss the lives and work Ramon Santos?
a Filipino composer, musicologist and ethnomusicologist. He is a National Artist of the Philippines for music, and University Professor Emeritus of the composition and theory department the College of Music of the University of the Philippines Diliman.
3. All musical works below are composed by ramon santos except
Explanation:
Some of Santos' compositions include:
Rituwal ng Pasasalamat,
Likas-An,
Badiw as Kapoonan,
Awit ni Pulau,
Daragang Magayon,
Ta-O,
Sandiwaan,
Nagnit Igak G'nan Wagnwag Nila (Alingawngaw ng Kagitingan),
Answer:
Santos composed “Tuksuhan” and “Tula-tula,” the first madrigal choir pieces to join a previously Western-limited repertoire.Apr 13, 2016
4. what year did ramon santos awarded as national artist music?
Answer:
Ramon Pagayon Santos, composer, conductor and musicologist, is currently the country’s foremost exponent of contemporary Filipino music. A prime figure in the second generation of Filipino composers in the modern idiom, Santos has contributed greatly to the quest for new directions in music, taking as basis non-Western traditions in the Philippines and Southeast Asia.
He graduated in 1965 from the UP College of Music with a Teacher’s Diploma and a Bachelor of Music degree in both Composition and Conducting. Higher studies in the United States under a Fulbright Scholarship at Indiana University (for a Master’s degree, 1968) and at the State University of New York at Buffalo (for a Doctorate, 1972) exposed him to the world of contemporary and avant-garde musical idioms: the rigorous processes of serialism, electronic and contemporary music, indeterminacy, and new vocal and improvisational techniques. He received further training in New Music in Darmstadt, Germany and in Utrecht, the Netherlands. His initial interest in Mahler and Debussy while still a student at UP waned as his compositional style shifted to Neo Classicism and finally to a distinct merging of the varied influences that he had assimilated abroad.
His return to the Philippines marked a new path in his style. After immersing himself in indigenous Philippine and Asian (Javanese music and dance, Chinese nan kuan music), he became more interested in open-ended structures of time and space, function as a compositional concept, environmental works, non-conventional instruments, the dialectics of control and non-control, and the incorporation of natural forces in the execution of sound-creating tasks. All these would lead to the forging of a new alternative musical language founded on a profound understanding and a thriving and sensitive awareness of Asian music aesthetics and culture.
Simultaneous with this was a reverting back to more orthodox performance modes: chamber works and multimedia works for dance and theatre. Panaghoy (1984), for reader, voices, gongs and bass drum, on the poetry of Benigno Aquino, Jr. was a powerful musical discourse on the fallen leader’s assassination in 1983, which subsequently brought on the victorious People Power uprising in 1986.
An active musicologist, Santos’ interest in traditional music cultures was heretofore realized in 1976 by embarking on fieldwork to collect and document music from folk religious groups in Quezon. He has also done research and fieldwork among the Ibaloi of Northern Luzon. His ethnomusicological orientation has but richly enhanced his compositional outlook. Embedded in the works of this period are the people-specific concepts central to the ethnomusicological discipline, the translation of indigenous musical systems into modern musical discourse, and the marriage of Western and non-Western sound.
An intense and avid pedagogue, Santos, as Chair of the Department of Compositiion and Theory (and formerly, as Dean) of the College of Music, UP, has remained instrumental in espousing a modern Philippine music rooted in old Asian practices and life concepts. With generation upon generation of students and teachers that have come under his wing, he continues to shape a legacy of modernity anchored on the values of traditional Asian music.
5. He enrolled at the rollege of Music Iniversity of the Philipnines in 1977 as a student of Ramon P Santos
Answer:
Jonas Baes (born 1961 in Los Baños, Laguna) is a Filipino composer. He enrolled in the University of the Philippines' College of Music in 1977 as a student of Ramon P.
Occupation(s): Composer
Born: 1961 (age 60–61); Los Baños, Laguna
Explanation:
sa na maka tulong
6. What's the educational background of Ramon Santos?
Ramon Santos or Ramon Pagayon Santos is a Filipino composer and a musicologist.
Because of his plenty of contribution in the music industry, he was considered to be one of the national artists in the country.
Prior to that, he already received many awards like Bachelor of Music Composition and Conducting from University of the Philippines Conservatory of Music in 1965.
He studied Master of Music with distinction in Indiana University in 1969.
Santos also studied the highest level of education which is the doctorate degree. He was able to achieved the Doctor of Philosophy from State University of New York at Buffalo in 1972.
Aside from those impressive achievements, Ramon Santos also a took up summer courses in New Music at Darmstadt in 1974. He also attended Special Seminars in Ethnomusicology at the University of Illinois in 1989.
He also took up contemporary music courses has studied Ethnomusicology. He was also able to study Javanese music and dance.
In addition, he has studied composition with fellow composers like Hilarion Rubio, Lucio San Pedro, Thomas Beversdorf, Roque Cordero, Ramon Fuller, and William Koethe.
For more details, kindly check these links:
https://brainly.ph/question/1970647
https://brainly.ph/question/549825
https://brainly.ph/question/481132
7. Ramon P Santos filipino contemporary composersexpress your personal reactions or feeling through writing
Answer:
anong grade po yan 12345678
8. poem about life events of Ramon Santos
ANSWERS :
Ramón Pagayon Santos (born 25 February 1941)[1] is a Filipino composer, musicologist and ethnomusicologist. He is a National Artist of the Philippines for music, and University Professor Emeritus of the composition and theory department the College of Music
9. eldefonso p. santos his famous artwork
Cultural Center of the Philippines complex.
Bantayog ng mga Bayani.
Manila Hotel.
San Miguel Corporation Building.
Nayong Pilipino.
Paco Park.
Rizal Park.
Loyola Memorial Park
Tagaytay Highlands Golf and Country Club
The Orchard Golf and Country Club
Magallanes Church
Asian Institute of Management
10. Identify the composer of the Romantic period.a. Franz Lisztb. Igor Stravinskyc. Ramon Santos
A. Franz Liszt (Virtuoso Pianist)
Romantic PeriodAnswer:
The correct answer is Franz Liszt. Franz Liszt was a famous musician and composer during the Romantic Period. He is known for his great contributions in the aspect of music, as well as for inventing and developing symphonic tone for orchestra
Franz Liszt short biographyHe was born on October 22 1811He was a virtuoso pianistInvented the concept of piano recitalRomantic PeriodContrast between dynamic and pitchHomophonic texture in musicOrchestrasFor additional information regarding romantic period, refer to the following links
Definition of romantic period
https://brainly.ph/question/500167
Composers of romantic period
https://brainly.ph/question/253679
Main features of romantic period
https://brainly.ph/question/2114315
11. Research the Bibliography and famous works of following New composer listed below. In a legal size bandpaper (Long), encode or write your output. A. JONAS BAES B. JOSEFINO TOLEDO C. FRANCISCO F. FELICIA NO D. RAMON P. SANTOS
Answer:
C. is the answer
-_- =_=
Explanation:
this is my answer hope it helps...
12. ramon santos what is genre
Answer:
Ethnic music
Explanation:
Ramon Pagayon Santos was referring to his area of research—non-Western indigenous expressive traditions included in the genre called “ethnic music.” Music, he said, is a Western concept defined by elements such as structure
13. describe the contemporary phillippine music according to national artist ramon santos , phd?
usually refers to composistions that have adopted ideas and elements from twentieth century art music in the wes
14. 3. She was known as The First Lady ot Philippine Music.A. Lucresia Kasilag B. Chino Toledo C. Rosendo Santos D. Ramon Santos4. His music is characterized by great energy with kindship to Southeast Asian traditimusicA. Lucresia Kasilag B. Chino Toledo C. Rosendo Santos D. Ramon Santos5. He is known as the Master Composer and Advocate of Filipino Music etc.A. Lucresia Kasilag B. Chino Toledo C. Rosendo Santos D. Ramon Santos
Answer:
A. Lucresia Kasilag
Often alluded to as the “First Lady of Philippine Music,” Lucrecia “King” Roces Kasilag, born in San Fernando, La Union, Philippines, on August 31, 1918, holds numerous national and international leadership roles as composer, educator, administrator, and researcher.
15. Full details about Ramon P. Santos and his works. (I will mark as the brainliest) :)
Answer:
Ramon Pagayon Santos, composer, conductor and musicologist, is currently the country’s foremost exponent of contemporary Filipino music. A prime figure in the second generation of Filipino composers in the modern idiom, Santos has contributed greatly to the quest for new directions in music, taking as basis non-Western traditions in the Philippines and Southeast Asia.
He graduated in 1965 from the UP College of Music with a Teacher’s Diploma and a Bachelor of Music degree in both Composition and Conducting. Higher studies in the United States under a Fulbright Scholarship at Indiana University (for a Master’s degree, 1968) and at the State University of New York at Buffalo (for a Doctorate, 1972) exposed him to the world of contemporary and avant-garde musical idioms: the rigorous processes of serialism, electronic and contemporary music, indeterminacy, and new vocal and improvisational techniques. He received further training in New Music in Darmstadt, Germany and in Utrecht, the Netherlands. His initial interest in Mahler and Debussy while still a student at UP waned as his compositional style shifted to Neo Classicism and finally to a distinct merging of the varied influences that he had assimilated abroad.
His return to the Philippines marked a new path in his style. After immersing himself in indigenous Philippine and Asian (Javanese music and dance, Chinese nan kuan music), he became more interested in open-ended structures of time and space, function as a compositional concept, environmental works, non-conventional instruments, the dialectics of control and non-control, and the incorporation of natural forces in the execution of sound-creating tasks. All these would lead to the forging of a new alternative musical language founded on a profound understanding and a thriving and sensitive awareness of Asian music aesthetics and culture.
Simultaneous with this was a reverting back to more orthodox performance modes: chamber works and multimedia works for dance and theatre. Panaghoy (1984), for reader, voices, gongs and bass drum, on the poetry of Benigno Aquino, Jr. was a powerful musical discourse on the fallen leader’s assassination in 1983, which subsequently brought on the victorious People Power uprising in 1986.
An active musicologist, Santos’ interest in traditional music cultures was heretofore realized in 1976 by embarking on fieldwork to collect and document music from folk religious groups in Quezon. He has also done research and fieldwork among the Ibaloi of Northern Luzon. His ethnomusicological orientation has but richly enhanced his compositional outlook. Embedded in the works of this period are the people-specific concepts central to the ethnomusicological discipline, the translation of indigenous musical systems into modern musical discourse, and the marriage of Western and non-Western sound.
An intense and avid pedagogue, Santos, as Chair of the Department of Compositiion and Theory (and formerly, as Dean) of the College of Music, UP, has remained instrumental in espousing a modern Philippine music rooted in old Asian practices and life concepts. With generation upon generation of students and teachers that have come under his wing, he continues to shape a legacy of modernity anchored on the values of traditional Asian music.
Explanation:
Answer:
Si Ramon Pagayon Santos, kompositor, conductor at musicologist, ay ang pinakamahalagang tagapagpahiwatig ng kontemporaryong musikang Pilipino sa bansa. Isang pangunahing tauhan sa ikalawang henerasyon ng mga Pilipinong kompositor sa modernong idyoma, si Santos ay nag-ambag ng malaki sa paghahangad ng mga bagong direksyon sa musika, bilang batayan ng mga tradisyon na hindi sa Kanluranin sa Pilipinas at Timog Silangang Asya.
Nagtapos siya noong 1965 mula sa UP College of Music na may Teacher's Diploma at Bachelor of Music degree sa parehong Komposisyon at Pag-uugali. Ang mas mataas na pag-aaral sa Estados Unidos sa ilalim ng Fulbright Scholarship sa Indiana University (para sa isang Master's degree, 1968) at sa State University of New York sa Buffalo (para sa isang Doctorate, 1972) ay tumambad sa kanya sa mundo ng kontemporaryong at avant-garde musikal idioms: ang mahigpit na proseso ng serialism, electronic at kontemporaryong musika, kawalan ng katinuan, at mga bagong diskarte sa tinig at improvisasyunal. Nakatanggap siya ng karagdagang pagsasanay sa New Music sa Darmstadt, Germany at sa Utrecht, Netherlands. Ang kanyang paunang interes kina Mahler at Debussy habang isang mag-aaral pa rin sa UP ay humupa habang ang istilo ng kanyang komposisyon ay lumipat sa Neo Classicism at sa wakas sa isang natatanging pagsasama ng iba`t ibang impluwensya na kanyang na-assimilate sa ibang bansa.
Ang kanyang pagbabalik sa Pilipinas ay nagmarka ng isang bagong landas sa kanyang istilo. Matapos isawsaw ang kanyang sarili sa katutubong Pilipino at Asyano (musikang Java at sayaw, musikang nan kuan ng Tsino), mas naging interesado siya sa bukas na mga istruktura ng oras at espasyo, gumana bilang isang konsepto ng komposisyon, mga gawaing pangkapaligiran, mga di-maginoo na instrumento, mga dayalekto ng kontrol at di-kontrol, at ang pagsasama ng mga likas na pwersa sa pagpapatupad ng mga gawain na lumilikha ng tunog. Ang lahat ng ito ay hahantong sa pagpapanday ng isang bagong kahaliling wika sa musikal na itinatag sa isang malalim na pag-unawa at isang maunlad at sensitibong kamalayan sa mga estetiko at kultura ng musika sa Asya.
Kasabay nito ay isang pagbabalik sa maraming mga mode ng pagganap ng orthodox: mga gawa sa silid at mga gawaing multimedia para sa sayaw at teatro. Si Panaghoy (1984), para sa mambabasa, tinig, gong at bass drum, sa tula ni Benigno Aquino, Jr. ay isang malakas na talumpati sa musika tungkol sa pagpatay sa bumagsak na pinuno noong 1983, na sumunod na nagwagi sa nagwaging pag-aalsa ng People Power noong 1986.
Isang aktibong musicologist, ang interes ni Santos sa tradisyunal na mga kultura ng musika ay napagtanto noong 1976 sa pamamagitan ng pagsisimula sa gawaing bukid upang mangolekta at idokumento ang musika mula sa mga katutubong pangkat ng relihiyon sa Quezon. Nagawa rin niya ang pagsasaliksik at gawain sa bukid sa mga Ibaloi ng Hilagang Luzon. Ang kanyang orientation na etnomusicological ay mayaman na pinahusay ang kanyang pananaw sa komposisyon. Ang naka-embed sa mga gawa ng panahong ito ay ang mga konsepto na tukoy sa tao na sentro ng disiplina ng etnomusicological, ang pagsasalin ng mga katutubong sistemang musikal sa modernong talumpating musikal, at ang kasal ng Kanluranin.
Explanation:
Hope it helps
16. What was the purpose of jose maceda and ramon santos for emphasizing philippine music in their compositions ?
Answer:
The keynote speech for the first session titled, “Time, Space and Community”
Explanation:
17. what are the characteristics of musical style of Ramon Santos
Answer:
Learning a Ramon Santos piece is like tottering tip-toed on an uneven staircase. The avant-garde composer challenges even the most professionally trained musicians with melodic structures that are asymmetrical and unpredictable. He is unafraid of using minor keys—dark and melancholy—for children's songs.
hope it's help.
@freyqt.
#carryonlearning
Answer:
Learning a Ramon Santos piece is like tottering tip-toed on an uneven staircase. The avant-garde composer challenges even the most professionally trained musicians with melodic structures that are asymmetrical and unpredictable. He is unafraid of using minor keys—dark and melancholy—for children's songs..
Explanation:
Hope it's help :)
18. Siya ang naglilok ng bagong imahen ng Our Lady of Guadalupe matapos itong masiraA. Ramon BarettoB. Ramon RevillaC. Ramon SantosD. Ramon Cruz
Answer:
C.Ramon Revilla
Explanation:
hindi ko po alam kung tama ako
correct me if I'm wrong
C.Ramon SantosSana makatulong❤️
19. Famous people of general santos
Manny Pacquiao,Melissa Cantiveros-Melai Cantiveros, Gerald Randolph Opsima Anderson, Jr., Shamcey Gurrea Supsup, Nonito Donaire, XB GENSAN
20. ramon santos pursue graduate studies in ethnomusicology at the university of __________ USA.
Answer:
University of Illinois
21. what is the famous output/item of Ezra Santos
Answer:
“ ”
Explanation:
He has created several collections with pieces based on “the terno” as well as classic weaving, reinterpreted into statement dresses and gowns for contemporary couture-wearers.
22. 24. Ramon does work in 30 minutes. Lucy does the same work inhour. Which of the following statements is TRUE?a. Ramon has more powerb. Lucy has more powerc. Ramon performs greater amount of workd. Ramon and Lucy have the same power
Answer:
C. Ramon performs greater amount of work.
Explanation:Ramon performs greater amount of work because he can do in 30 minutes, while Lucy does the same work in an hour.
23. Why is ramon santos not part of GAMABA
Answer:
Kase hindi yon nayon
Explanation:
Slamat
24. How many compositions does ramon santos have?
Answer:
8
love him so much B to get Started to get Started
25. Task 5-PANAGHOYDirection : Describe the theme of Ramon Santos Panaghoy
Answer:
Panaghoy sa Suba is an historical romance drama about a love triangle which takes place during the Second World War. Its themes concern Filipino nationalism and the legacies of colonialism.
Explanation:
hindi po ako sigurado sa sagot ko pero ginawa ko naman lahat para masagutan itong question
26. ACTIVITY # 5– PANAGHOYDirection ; Describe the theme of Ramon Santos ‘ Panaghoy
Answer:
Panaghoy (1984), for reader, voices, gongs and bass drum, on the poetry of Benigno Aquino, Jr. was a powerful musical discourse on the fallen leader's .
Explanation:
27. What the music composed by Ramon P. Santos and the lyrics?
Answer:
song name: abot tanaw do ko alam lyrics search nalang ninyo yung song
Explanation:
hope help brainlys answer pls
28. who is ramon p santos?
Answer:
Ramón Pagayon Santos (born 25 February 1941)[1] is a Filipino composer, ethnomusicologist, and educator[2] known for being the Philippines' foremost living exponent of contemporary Filipino classical music,[1][3] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions,"[3] and for finding new uses of indigenous Philippine instruments
Explanation:
HOPE IT HELP
PA BRAINLIST
Answer:
RAMON P. SANTOS National Artist for Music (2014) Ramon Pagayon Santos, composer, conductor and musicologist, is currently the country’s foremost exponent of contemporary Filipino music.
Explanation:
29. saan nakatira si ramon santos
ramon santos lives in Pasig, Rizal
30. Musical style of ramon santos
Ramon P. Santos. Ramon Pagayon Santos, composer, conductor and musicologist, is currently the country's foremost exponent of contemporary Filipino music.
